This course approaches drawing as a way of thinking and seeing. Students will be introduced to a range of drawing issues, as well as a variety of media, including charcoal, graphite, ink, oil stick, collage, string, wire and clay.
An introduction to the materials and methods of painting. The areas to be covered are color and its interaction, the use of form and scale, painting from a model, painting objects with a concern for their mass and interaction with light.
An introduction to the processes of analog photography through a series of problems directed toward the handling of film-based cameras, light-sensitive paper, darkroom chemistry, and printing.
This studio course introduces students to aesthetic and theoretical implications of digital photography, with an emphasis on mastering digital equipment and techniques, managing print quality, and generally becoming familiar with all aspects of the digital workspace.
This studio course will introduce students to the essential aspects and skills of graphic design, and will analyze and discuss the increasingly vital role that non-verbal, graphic information plays in all areas of professional life, from fine art and book design to social networking and the Internet.
This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects.
A studio introduction to sculpture, particularly the study of form, concept, fabrication and the influence of a wide variety of materials and processes on sculpture and its consequences.
Through hands-on studio work, screenings, critical readings and group critiques, this course teaches the basic tools and approaches for film production with digital media including writing, camerawork, sound, editing, and postproduction.
This course introduces students to documentary film production using digital video, with an emphasis on the practical challenges of working in the real world.
This course introduces techniques of copper plate etching, and relief printing. Assignments focus on applications of various printmaking techniques, while encouraging independent development of subject matter.
This course looks at the way Italy has expressed its cultural, political, and social individuality in major cinematic works from the 1980s to the present.
An introduction to the art and craft of lighting design for the stage and an exploration of light as a medium for expression.
An introduction to the art and craft of scenic design for the stage and and exploration of the use of space as a medium of textual interpretation.
This course will explore the use of sound in relation to moving images, including film scoring, musicals, soundtracks, music videos, and experimental sound and video art.
In this course we will encounter the output of some of the most engaging filmmakers working today. No film shown in this course will be more than eighteen months from its world premiere, and each will be accompanied by a Q+A with its director.
How can screenwriters prepare for the evolving challenges of our global media world? What types of content, as well as form, will emerging technologies make possible?
How does a screenwriter, organize and develop the ideas that will form a feature narrative script?
This course explores a variety of possible "equations" by which a painting gets made. Students will experiment with different media and approaches: direct observation, ways to use photography, digital images and post-digital imagery.
This advanced screenwriting course will introduce students to the post 1990’s “golden age of television” and outline the differences between writing for film and a scripted TV series.
This class will investigate the idea of "manipulation" in photography and examine different approaches to controlling form and content. Class lectures will look at the work of such artists as James Welling, Collier Schorr, Arthur Jaffa, and Boris Mikhailov, among others.
In this course, each student will determine a specific theme that they will poke, prod and refine throughout the semester, ultimately completing three fully realized, thematically-linked sculptures and/or installations.
A script is only the beginning. Then come the interesting decisions: the actors, the visual style, and the sound design. In this class, each student will be given one segment of a script which they can interpret in any way they choose.
With roots in activities as diverse as mural painting, sports, street fairs, or community activism, publicly engaged art inserts itself into specific contexts and directly engages its audience-often with the hope for social change. This class will investigate the evolving practice of art by creating objects designed to interact with people and spaces around campus.
Artists have long deployed language as a kind of satellite hovering in the vicinity of their artworks, influencing their reception.