How do artists make art? How do we evaluate it? In this course, students of all levels get to experience firsthand the particular challenges and rewards of art making through practical engagement with five fields — creative writing, visual art, theater, dance, and music — under the guidance of professionals.
This course approaches drawing as a way of thinking and seeing. Students will be introduced to a range of drawing issues, as well as a variety of media, including charcoal, graphite, ink, oil stick, collage, string, wire and clay.
An introduction to the materials and methods of painting. The areas to be covered are color and its interaction, the use of form and scale, painting from a model, painting objects with a concern for their mass and interaction with light.
An introduction to the processes of analog photography through a series of problems directed toward the handling of film-based cameras, light-sensitive paper, darkroom chemistry, and printing.
This studio course introduces students to aesthetic and theoretical implications of digital photography, with an emphasis on mastering digital equipment and techniques, managing print quality, and generally becoming familiar with all aspects of the digital workspace.
This studio course will introduce students to the essential aspects and skills of graphic design, and will analyze and discuss the increasingly vital role that non-verbal, graphic information plays in all areas of professional life, from fine art and book design to social networking and the Internet.
This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects.
A studio introduction to sculpture, particularly the study of form, concept, fabrication and the influence of a wide variety of materials and processes on sculpture and its consequences.
This course is designed to provide a sound basis for understanding the ways that images communicate, both in terms of how they are made and how they are read.
Through hands-on studio work, screenings, critical readings and group critiques, this course teaches the basic tools and approaches for film production with digital media including writing, camerawork, sound, editing, and postproduction.
This course introduces students to documentary film production using digital video, with an emphasis on the practical challenges of working in the real world.
This course introduces techniques of copper plate etching, and relief printing. Assignments focus on applications of various printmaking techniques, while encouraging independent development of subject matter.
Since it’s inception, the technical development of photography has arisen out of specific historical and political circumstances that have “naturalized” its practice and ideologically coded its apparatus. Through critical discussions, material examinations, and studio projects, this seminar will take a reflexive approach to photographic technology past, present, and future.
This course, conducted in English, is a study of Fascism through selected films from World War II to the present.
An introduction to the art and craft of lighting design for the stage and an exploration of light as a medium for expression.
An exploration of films made in the last fifty years featuring "descents into savagery" and the colonial, alphabetic texts that inspired them. Topics to be discussed, among others: primitivism and progress; coloniality; media and mediation; race and gender; intercultural dialogues; healing practices; community-based performances.
How can screenwriters prepare for the evolving challenges of our global media world? What types of content, as well as form, will emerging technologies make possible?
For those who have taken a 200 level film production course and want to pursue their interest in writing, shooting and editing digital media, whether through documentary, narrative or experimental films.
How does a screenwriter, organize and develop the ideas that will form a feature narrative script? In this class, students will become familiar with feature film structure, plot evolution, character development, scene shaping and dialogue, and effective techniques for achieving the complex visual and emotional rhythm required by compelling narrative scripts.
This advanced screenwriting course will introduce students to the complexity and thought process behind creating a first season for a dramatic TV series.
This class will investigate the idea of "manipulation" in photography and examine different approaches to controlling form and content. Class lectures will look at the work of such artists as James Welling, Collier Schorr, Arthur Jaffa, and Boris Mikhailov, among others.