This course approaches drawing as a way of thinking and seeing.
An introduction to the materials and methods of painting.
An Introduction to the processes of analog photography through a series of problems directed toward the handling of film-based cameras, light-sensitive paper, darkroom chemistry, and printing. Weekly laboratory sessions will explore the critical issues of working with black and white imagery today, supported by slide lectures, readings, and discussions of photography as a documentary tool, a political device, an art form. Class critiques of student work are augmented by feedback from guest photographers.
This studio course introduces students to aesthetic and theoretical implications of digital photography.
This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects.
A studio introduction to sculpture, particularly the study of form, space, and the influence of a wide variety of materials and processes on the visual properties of sculpture.
Through a series of screenings, we will analyze the narrative structure and grammar of films' visuals to spur on an in-depth understanding of story, character, style and theme.
Through hands-on studio work, screenings, critical readings and group critiques, this course teaches the basic tools and approaches for film production with digital media including writing, camerawork, sound, editing, and postproduction.
This course introduces students to documentary film production using digital video, with an emphasis on the practical challenges of working in the real world. While students learn the traditional methods of production, they are also encouraged to range widely in their thinking about how to document daily life. Production of videos will be augmented by screenings and readings.
This course, conducted in English, is a study of Fascism through selected films from World War II to the present.
New Orleans is decades ahead of any other U.S. city with respect to climate change. The city's culture embodies exuberance and improvisation, and inspires confidence, openness, and collaboration.
This course will examine photography's ongoing negotiation of evolving color technologies.
How can screenwriters prepare for the evolving challenges of our global media world? What types of content, as well as form, will emerging technologies make possible? This class will use fairytales, films, games and new media to illustrate universal script principles while creating a rich interdisciplinary lens to explore the innovative intersection of narrative screenwriting, science and technology.
A second level film/video workshop focusing on digital media production.
This advanced screenwriting course will introduce students to the complexity and thought process behind creating a first season for a dramatic TV series.
This studio course builds on the skills and concepts of the 200-level Graphic Design classes.
This class will engage contemporary approaches to the figure and the various ways that artists contest, assimilate, and reckon with the human body in sculpture.