there. remaining. is an evening-length dance-theater piece created by Oge Ude ’16 with original music composed by Vince Di Mura. Emerging from W.E.B. Du Bois’s seminal work, The Souls of Black Folk, there. remaining. explores Du Bois’s theory of double consciousness as a racial and mental phenomenon. Created in collaboration with six performers, the piece involves text, movement, music, and projections to question the ways we see ourselves and come to understand our often conflicting identities. Performances are on April 1, 2, 7, 8, and 9 at 8:00 p.m. in the Marie and Edward Matthews ’53 Acting Studio at 185 Nassau Street. A talkback with Professor of Dance Judith Hamera follows the performance on April 7th. The performances are free but tickets are required; reserve tickets through University Ticketing online or at the Frist Campus Center Ticket Office.