This course approaches drawing as a way of thinking and seeing.
An introduction to the materials and methods of painting.
An introduction to the processes of analog photography through a series of problems directed toward the handling of film-based cameras, light-sensitive paper, darkroom chemistry, and printing.
This studio course introduces students to aesthetic and theoretical implications of digital photography.
This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects.
Students in this course will consider the ways in which a graphic design object's characteristics are affected by its ability to be copied and shared, and by the environment in which it is intended to circulate.
This course engages students in the decoding of and formal experimentation with the image as a two-dimensional surface.
This studio production class will engage in a variety of timed-based collage, composition, visualization, and storytelling techniques. Students will be taught the fundamental techniques of 2D animation production.
A studio introduction to sculpture, particularly the study of form, space, and the influence of a wide variety of materials and processes on the visual properties of sculpture.
Sound is at once ephemeral in air, concrete in material, and conceptualized in the mind. This unique transformation makes sound ideal for examining the relationship of our internal experience to physicality.
In the real world, what relationships have the necessary friction to generate compelling films? Documentary Filmmaking will introduce you to the craft, history and theory behind attempts to answer this question.
An introduction to narrative and avant-garde narrative film production through the creation of hands-on digital video exercises, short film screenings, critical readings, and group critiques.
This course will examine photography's constant negotiation of evolving technologies. Students shoot black and white and color film and scan and print it digitally to broaden their photographic strategies, their technical skills, and their understanding of the medium of photography. A range of tools will be introduced, including analogue film development, scanning negatives, Photoshop processing, and inkjet printing.
This course explores the history of photographic portraiture as well as the work of contemporary artists working in a post-modern age where representation and identity are deconstructed.
This course is course designed for students interested in learning the fundamentals of working with clay.
This course will introduce students to core screenwriting principles and techniques.
What are the environments, fictions, fantasies, and ideologies that condition the artist at work? This course takes as its investigative locus the artist's studio, a space of experimentation and inspiration, but also of boredom, sociability, exhaustion, and critique.
An intermediate exploration of narrative and avant-garde narrative film production through the creation of hands-on digital video exercises, short film screenings, critical readings, and group critiques.
A required seminar for Practice of Art majors and Program in Visual Arts certificate students emphasizing contemporary art practices and ideas. The course addresses current issues in painting, drawing, sculpture, film, video, photography, and performance installation.
This course is designed to endow students with the conceptual and practical skills that will enable them to design for productions in the theater program.
This advanced screenwriting workshop will introduce students to the fundamental elements of developing and writing a TV series in the current "golden age of television."
Drawing is a distinct process; it can serve as a mode of documentation or as a preparatory step in many other processes. This allows drawing to point to a past event, create a primary experience in the present, and/or to serve as a model or plan for what is to come. We will explore these multiple uses of drawing and their accompanying temporalities through approaches that emphasize a wide range of formal effects — illusionistic form, space, flatness, mark-making, opacity, transparency — while simultaneously exploring how artists have turned to drawing to record, index, propose, invent, and fantasize.
This seminar provides senior Practice of Art Track and VIS certificate students a context for investigating and discussing contemporary art exhibition practices.
This class will be a series of material investigations in relation to the human body at rest. Each student will design, build, and critically analyze a custom bed frame that exploits the inherent properties of a singular material—ash wood—across a spectrum of rigid and flexible structures
This course will introduce students to screenwriting adaptation techniques, focusing primarily on the challenges of adapting “true stories” pulled from various non-fiction sources.
Each student is responsible for collecting any and all works of art that he/she may submit in connection with a given course/studio within 14 days after the conclusion of the term, unless he/she makes special arrangements with the program. The program may use or dispose of any uncollected works as it deems appropriate.