Special Topics in Dance History, Criticism, and Aesthetics: Mobilizing Bodies/Dancing the State

Dance is an under-recognized political force, used to project national identity and advance soft power on the global stage. It can help us understand state initiatives for control and mobilization for protest. This course investigates dance as both a state and a resistant practice using dance studies theory. Case studies include American and Soviet ballet during the Cold War, Mexican dance forms, US modern dance, and more. Activities include readings, discussions, performance exercises, and viewing performances. Guest artists conduct studio sessions in dance logics. No prior dance or performance experience is necessary.

Other Requirements

Not open to first-year undergraduates.

Other Information

This course is open enrollment. If you would like to register for this course and the enrollment is currently full, please add your name to the waitlist.




Wednesdays, 1:30 - 4:20 PM


Judith Hamera