In the exhibition Release the Shame, Visually Impaired artist/choreographer Christopher “Unpezverde” Núñez and Neurodivergent artist Branden Wallace explore the complex concept of “shame,” and how it converges with themes such as sexuality, fear, learning processes, and productivity in the lives of people with disabilities. Núñez and Wallace excavate from personal memory how prejudice towards Disability has had a profound impact on their artistic practices and their own self-perception.
Photo Gallery
Conversation with the Artists: Sept. 6
To open the exhibition, a conversation between the artists, Christopher “Unpezverde” Núñez and collaborator Branden Wallace, facilitated by Jerron Herman, will take place on September 6 at 7 PM with a reception following.
Admission & Details
The exhibition opens at 7 PM on Sept. 6. From September 7-12, the CoLab is open daily 10 AM – 8 PM.
The exhibition, talk and reception are free and open to the public. No tickets or registration required.
Directions
Get directions to the CoLab, located on the Forum level of the Lewis Arts complex at 122 Alexander Street, Princeton.
Accessibility
ASL and open captions will be provided during the opening talk on September 6. Audio Description, Braille signage and tactile experience are embedded in the exhibition experience. Christopher Núñez will be on-site for guided tours, questions, support with the tactile experience, extended audio description, and to answer questions from visitors at the following times: Monday, September 9, from 1-4 PM and Wednesday, September 11 from 1-4 PM.
The CoLab is an accessible venue. Visit our Venues and Studios section for accessibility information about the arts complex. Guests in need of other access accommodations are asked to contact the Lewis Center at LewisCenter@princeton.edu at least one week prior to the event date.
About the Artists
Christopher Núñez

Photo credit: Loghaven Artist Residency
Christopher “Unpezverde” Núñez is a Costa Rican/American visually impaired choreographer, educator, and accessibility consultant based in New York City. His performances have been presented at The Brooklyn Museum, The Kitchen, The Joyce Theater, Danspace Project, Movement Research at The Judson Church, The Leslie-Lohman Museum of Art, Battery Dance Festival, Performance Mix Festival, and Dixon Place, among others. His work has been featured in publications such as The New York Times, The Brooklyn Rail, and The Dance Enthusiast. He has held residencies at Brooklyn Academy of Music (BAM), Danspace Project, The Kitchen, Movement Research, Center for Performance Research, and New Dance Alliance. As a performer, his most recent collaborations include “Dressing Up for Civil Rights” by William Pope L, presented at The Museum of Modern Art.
Branden Charles Wallace

Photo courtesy of the artist
Branden Charles Wallace holds a B.F.A., M.F.A. and a B.S. in Biochemistry. Branden has utilized their neurodivergence disabilities as a guide to different perspectives. Their practice is creating congruous work from the discord and discomfort of new information; a haptic harmony of cognitive dissonance. Branden is the recipient of the Disability. Dance. Artistry. Dance and Social Justice Fellowship in 2020 and 2023. He curated the 2017 exhibition Expanding Vision at Leslie-Lohman Museum. As designer in residence for the disabled multidisciplinary project led by Christopher Núñez, Wallace has presented his design work at Danspace Project, The Kitchen, The LGTBQ+ Center, Jacob’s Pillow, Princeton University, and Abrons Arts Center, among others.
Jerron Herman

Photo courtesy Jerron Herman
Jerron Herman is a dancer and writer who is compelled to create images of freedom. His process is supported by personal histories and social legacies of disability aesthetics that undermine notions of production in favor of welcoming. The nuanced pieces Jerron exhibits contend with an early childhood desire to create many worlds in which others inhabit.