Events

Zlatko Ćosić, an internationally renowned video artist, will present a workshop on Video Processing and Projection Mapping, open to Princeton students. Ćosić’s work includes short films, video installations, theater and architectural projections, and audio-visual performances and began with the challenges of immigration and shifting identities, evolving to socio-political issues related to injustice, consumerism, and climate crisis.

Registration & Details

The workshop is free and open to all Princeton students.

Registration required. The workshop is limited to 15 students, so the first 15 who sign up will be guaranteed a spot; any students who sign up after the first 15 will be placed on a waiting list.

Get directions to Room 219, located on the second floor at 185 Nassau Street.

COVID-19 Guidance + Updates

Per Princeton University policy, all guests must either be fully vaccinated, or have recently tested negative (via PCR within 72 hours or via rapid antigen test within 8 hours of the scheduled visit) and be prepared to show proof if asked, or wear a face covering when indoors and around others.

Accessibility

Visit our Venues and Studios section for accessibility information at our various locations. Students in need of access accommodations are invited to contact the Lewis Center at 609-258-5262 or email LewisCenter@princeton.edu at least one week in advance of the event date.

About Zlatko Ćosić

Zlatko smiles and gazes at the camera. He wears a black shirt and has dark hair with graying beard

Photo courtesy Zlatko Ćosić

Zlatko Ćosić is a video artist born in Yugoslavia whose work includes short films, video installations, theater and architectural projections, and audio-visual performances. Ćosić’s experience as a refugee influenced and shaped the content of his early artistic practice. His work began with the challenges of immigration and shifting identities, evolving to socio-political issues related to injustice, consumerism, and climate crisis. Ćosić’s artwork has been shown in over fifty countries in exhibitions such as the Contemporary Art Museum St. Louis, Ann Arbor Film Festival, Video Vortex XI at Kochi-Muzeris Biennale, ZKM Center for Art and Media Karlsruhe, St. Louis International Film Festival, Torrance Art Museum, Alchemy Film and Moving Image Festival, /si:n/ Video Art and Performance Biennale, Institut Für Alles Mögliche, The Pulitzer Arts Foundation, Kunstverein Kärnten, and the Research Pavilion at the 57th Venice Biennale. He has received grants including the WaveMaker Grants at Locust Projects, a Kranzberg Grant from Laumeier Sculpture Park, and the Regional Arts Commission Artist Fellowship.

Presented By

  • Program in Visual Arts

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