Events

Princeton Arts Fellow Netta Yerushalmy presents Paramodernities Live, a series of lecture-performances, or dance-experiments, generated through deconstructions of landmark modern choreographies, performed alongside contributions by scholars and writers who situate these iconic works within the larger project of Modernity. Exploring foundational tenets of modern discourse — such as sovereignty, race, feminism, and ableism — Paramodernities includes public discussions as inseparable parts of the work.

One installment of Paramodernities will stream each day, followed by a live conversation between Netta Yerushalmy with special guests and Q&A with the audience.

View livestream videos at nettay.com (available for viewing after each event through Sunday, May 10, 2020).

ACCESSIBILITY

audio descriptionAudio description and closed captioning of the pre-recorded 2019 performances at New York Live Arts will be available on May 4th at nettay.com/live.

 

 

closed captioningClosed captioning of the complete livestream (including the post-show discussion) will be available the day after each livestream at nettay.com/live.

 

FEATURED GUESTS IN CONVERSATION:

May 4Paramodernities #1 (A response to NIJINSKY) — Jack Halberstam
May 5:  Paramodernities #2 (A response to GRAHAM) — Pam Tanowitz
May 6:  Paramodernities #3 (A response to AILEY) — Tracy K. Smith
May 7:  Paramodernities #4 (A response to CUNNINGHAM) — Fred Moten
May 8:  Paramodernities #5 (A response to FOSSE) — Jeremy O. Harris
May 9:  Paramodernities #6 (A response to BALANCHINE) — Peter N. Miller

Paramodernites Live Trailer

Paramodernities Live from Lewis Center for the Arts: Princeton Arts Fellow Netta Yerushalmy presents Paramodernities Live, a series of lecture-performances, presented virtually May 4-9 at nettay.com.

GUEST ARTISTS IN CONVERSATION

ABOUT

Paramodernities is a series of lecture-performances, or dance-experiments, generated through deconstructions of landmark modern choreographies, performed alongside contributions by scholars and writers who situate these iconic works within the larger project of Modernity. Exploring foundational tenets of modern discourse— such as sovereignty, race, feminism, and ableism —Paramodernities includes public discussions as inseparable parts of the work.

The complete six-part encyclopedic series weaves theory and performance into a durational event. With equal parts reverence and violence, Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 21 to 69, perform responses to Nijinsky’s Le Sacre du Printemps (1913), Graham’s Night Journey (1947), Ailey’s Revelations (1960), a mix of Cunningham works (1968-1990), dance numbers from Fosse’s film Sweet Charity (1969), and a response to Balanchine’s Agon (1957).

Paramodernities offers an utterly unique hybrid of academic conference, dance performance, and town hall gathering.