October 13, 2022

Lewis Center for the Arts’ Program in Visual Arts presents HERE YE, HEAR YE!!!, an exhibition by Mark Thomas Gibson

The Lewis Center for the Arts’ Program in Visual Arts at Princeton University will present HERE YE, HEAR YE!!!, an exhibition of new work created by Mark Thomas Gibson during the course of his 2021-22 Hodder Fellowship at Princeton. Gibson’s work engages satire to depict the subtext of American politics and life. The exhibition features paintings, drawings and collages engaging caricature and satire. The work will be on view October 27 through November 23 in the Hurley Gallery at the Lewis Arts complex on the Princeton campus. The exhibition will open with a reception in the gallery on October 27 from 4:30 to 8:00 p.m. An artists’ talk with Gibson and writer/curator Dan Nadel and painter/writer Amy Sillman is scheduled for November 17 at 4:30 p.m. in the gallery. All events are free and open to the public.

mark thomas gibson wears black jacket and gazes directly at camera with one hand on table, one on his chair arm. black and white ink drawings scattered on tabletop in front of him.

Mark Thomas Gibson. Photo credit: Kathryn Gegenheimer

Gibson notes his personal lens on American culture stems from his multipartite viewpoint as an artist—as a Black male, a professor, and an American history buff. These myriad and often colliding perspectives fuel his exploration of contemporary culture through languages of painting and drawing, revealing a vision of a dystopic America where every viewer is implicated as a potential character within the story.

Gibson received a 2021 Pew Fellowship and a 2022 Guggenheim Fellowship. In 2016 he co-curated the traveling exhibition Black Pulp! with William Villalongo. He has released two books, Some Monsters Loom Large (2016) and Early Retirement (2017). Gibson received his B.F.A. from The Cooper Union in 2002 and his M.F.A. from Yale School of Art in 2013. He is represented by M+B in Los Angeles and Loyal in Stockholm. He is currently an assistant professor at Tyler School of Art and Architecture at Temple University and lives and works in Philadelphia.

For Gibson, caricature is a way to communicate his sentiments on his American community. As a Black man, he notes his viewpoint vacillates between participant and witness, but in these works the characters give him an uninterrupted voice to speak his opinions about contemporary political events. Gibson originally conceived HERE YE, HEAR YE!!! as an examination of the early Biden presidency but quickly felt that events beyond the presidency are the main attraction. The title of the exhibition is a declaration of shared place and time and an acknowledgement of how grotesque he views these times. One part town crier, one part Twitter feed, one part government protester, and one part inner monologue, Gibson’s work visualizes the stream going on inside all of our heads as we try to navigate life in a heavily mediated world.

abstract collage of hands and golden whistles with blowing mouths

“Full Steam Ahead” (2022, ink on canvas), one of the works in Mark Thomas Gibson’s show, HERE YE, HEAR YE!!! Photo courtesy of the artist

Gibson was among five 2021-22 Hodder Fellows, artists chosen each year who demonstrate great promise and “much more than ordinary intellectual and literary gifts.” The support is intended to allow the selected artists to pursue an independent project with no requirement to be on the Princeton campus.

In addition to the exhibition’s opening on October 27, Gibson has invited Dan Nadel and Amy Sillman to join him in a conversation on November 17 that will span Gibson’s Princeton exhibition to the role of satire in this moment of American history. Nadel is an arts writer and curator currently at work on the biography of cartoonist Robert Crumb. Sillman is an artist known for process-based paintings that move between abstraction and figuration, and for an engagement with other media such as animations, installations, ‘zines and writing.

The Hurley Gallery is an accessible venue on the mezzanine level of the Lewis Arts complex, reachable via the Arts Tower elevator. Guests in need of access accommodations are invited to contact the Lewis Center at at least one week prior to the event date.

All guests must either be fully vaccinated, or have recently tested negative (via PCR within 72 hours or via rapid antigen test within 8 hours of the scheduled visit) and be prepared to show proof if asked, or wear a face covering when indoors and around others.

For more information on this event, the Program in Visual Arts, Hodder Fellowships, or any of the more than 100 performances, exhibitions, readings, screenings and lectures presented annually by the Lewis Center for the Arts, most of them free, visit the Lewis Center website.

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