Once described by Samuel Johnson as both irrational and exotic, opera has long fascinated audiences with its curious mixture of drama, music, visual spectacle, and song. In this course we delve into all of the genre’s marvelous eccentricities: its use of classical, early modern, and modern literature; the role of star singers in shaping the genre; the presentation of gender and sexuality, race, class, and age; opera production, past and present; and operatic-style entertainments from other cultures (including Peking Opera). Students will have the opportunity to attend a performance at the Metropolitan Opera in New York City.
Distribution Area: LA
Prerequisites and Restrictions
Students may find it useful to have some experience reading music, or a previous music course, or some background in performing (chorus, undergraduate groups, instrumental lessons, etc.). No technical knowledge required.
Other Information
This course counts towards Culture & Criticism (C&C) requirements.
