Events

36th Annual Black Maria Film Festival Tour
James M. Stewart ’32 Theatre
Thursday, February 23 at 7:30 p.m.

FREE & OPEN TO THE PUBLIC

Marking its 36th Annual Festival Tour in 2017, the renowned Black Maria Film Festival celebrates creativity and innovation in the moving-image arts.  The Festival’s juried collection of short films includes animation, experimental, documentary and narrative works. Black Maria celebrates the short form in all its permutations for its artistic challenges, aesthetics, and substance.

The Festival was named for Thomas Edison’s West Orange, NJ film studio dubbed the “Black Maria” due to its resemblance to the type of black-box police paddy wagon known as a “black maria.”  The Festival is a highly regarded international juried competition traveling to audiences at museums, cinemas, cultural centers, colleges and universities throughout the United States and abroad.

The program, hosted by Princeton University, will be presented in-person by Festival Director Jane Steuerwald, and will feature a collection of stellar works chosen to tour in the Festival’s 36th season.

 


Films to be screened:

Mr. Sand – Animation
8 min. by Soetkin Verstegen, Leuven, Belgium
A dreamy tale about early cinema, told as an ironic bedtime story. A mix of techniques brings to life the atmosphere of this dangerous new medium. In the back of the story moves Mr. Sand, a mysterious character that might be real or imagined.


TYSON!
– Narrative
18 min. by Rebecca Ocampo and Matthew Leutwyler, Toluca Lake, CA
After being abandoned by his mother at the village medical clinic, a young boy named Tyson spends his days making the best of his new living arrangement. A volunteer nurse takes an interest in him and fights the local bureaucracy that forces patients to stay if they cannot pay their bill. Set in Kenya, TYSON! is a story that shines a light on healthcare, orphaned children, and poverty in the developing world.


Microspectrum
– Experimental
2 min. by Kate Balsley, Johns Creek, GA
A surreal journey through the natural world. Leaves, flowers and other organic materials are abstracted and exist as shapes, forms, colors and textures. Nature is at once strange and beautiful. Microspectrum invites the viewer to reflect upon its complexities.


Altimir
– Documentary
18 min. by Kay Hannahan, Jackson Heights, NY
Since the collapse of the communist regime in 1989, Bulgaria has experienced the most extreme population decline in the world. Low birth rates, high death rates, and two large waves of emigration have erased many villages from Bulgaria’s map and pushed others to the verge of extinction. This short documentary explores life in Altimir, one of Bulgaria’s disappearing villages. As he rides his bike through the quiet village, Yordan Dimitrov is our guide to the life that remains.


A
– Narrative
14 min by Joseph Houlberg, Quito, Ecuador
A world with only one letter. The earliest certain ancestor of the letter A is aleph, the first letter of the Phoenician alphabet. In turn, the ancestor of aleph may have been a pictogram of an ox head in proto-Sinaitic script influenced by Egyptian hieroglyphs, styled as a triangular head with two horns extended. This story begins with that one essential letter – A.


Decision
– Animation
3 min. by Mary Jo Zefeldt, Chicago, IL
A short animated film that explores one woman’s experience with anxiety and how she handles a perceived false choice.


More Dangerous Than a Thousand Rioters
– Experimental
6 min. by Kelly Gallagher, Chester Springs, PA
An experimental animated documentary exploring the life of revolutionary Lucy Parsons, the wife of Haymarket anarchist Albert Parsons. She was an organizer first and foremost and led an inspiring life engaged in the struggle against capitalism. As a woman of color who was married to a famous white male anarchist, she is often unfairly and frustratingly overlooked in many labor histories. Parsons went on to become one of the most powerful voices in the labor movement, helping to found the legendary Industrial Workers of the World. She dedicated her entire life to fighting for the rights of the disenfranchised.


Prison Fight
– Documentary
16 min. by Robert Pilichowski, Toronto, Ontario, Canada
Two men, Sean McNabb and Komkit Ketnawk are from opposite ends of the globe. This film is a window into their lives as they move towards facing each other in a prison fight in Thailand.


How Do You Raise a Black Child?
– Narrative
4 min. by Seyi Peter-Thomas, South Orange, NJ
This short film adaptation of Cortney Lamar Charleston’s poem “How Do You Raise a Black Child?” paints an important portrait of everyday life for a young black man growing up in America. It is an impressionistic piece that explores the delicate balance parents must strike as they steer their children toward adulthood.

 

About the Festival

For thirty-six years the Black Maria Film Festival has been celebrating creativity and innovation in the moving-image arts. The Festival’s home is NJ City University (NJCU) in New Jersey, not far from the site of Thomas Edison’s original film studio in West Orange, known as the “Black Maria.” Edison’s employees thought the studio’s boxy shape and black tarpaper covering resembled the so-called “black maria” police paddy wagons.

The Black Maria Film Festival is a project of the Thomas Edison Media Arts Consortium, which also showcases the NJ Young Filmmakers Festival, and the Global Insights Collection, which is an archive of films focusing on the environment, people with disabilities, international issues, and films with themes of social justice.

Black Maria is a juried competition of short works in all genres, held annually. Following the Festival’s premier in February, it travels throughout the year and across the US and abroad. Notable institutions hosting the Black Maria Festival Tour include the National Gallery of Art in Washington, D.C.; Princeton University; Mohonk Mountain House in New Paltz, NY; Upstate Films in Rhinebeck, NY; the Roxie Theater in San Francisco; Savannah College of Art and Design; the Hoboken Historical Museum; University of the Arts, Philadelphia; University of Delaware; The Des Moines Art Center, IA; University of Gloucestershire, UK; the Paramount Theater in Charlottesville, VA; ArtsEmerson, MA; Ramapo College of NJ; and many more.

The Consortium is grateful for the generous support of:
New Jersey State Council on the Arts
Hudson County Office of Cultural and Heritage Affairs and Tourism
The Charles Edison Foundation
New Jersey City University
Private and corporate donors

Festival Criteria & Jurors

Thomas A. Edison Media Arts Consortium – Black Maria Film Festival

The films that become the centerpiece of the Black Maria Film Festival honor the vision of Thomas Edison, New Jersey inventor and creator of the motion picture. It was his New Jersey studio, the world’s first, which he called the “Black Maria” from which we take our name. The Festival reaches out to diverse audiences in diverse settings including universities, museums, libraries, community organizations, and arts venues. The cutting edge, cross-genre work that makes up the Festival’s touring program, has been traveling across the country every year for decades.

We focus on short films – narrative, experimental, animation, and documentary – including those, which address issues and struggles within contemporary society such as the environment, public health, race and class, family, sustainability, and much more. These exceptional works range from animation, comedy, and drama to the exploration of pure form in film and video and are the heart and soul of the festival.

www.blackmariafilmfestival.org

Festival Jurors for the 2017 Festival Tour:

Henry Baker works in video, television, film, sound, print and interactive media. In 1987, he founded his video company BXB in NYC. Clients include HBO, Cinemax, SONY, Panasonic, Four Seasons Hotels and many others. At BXB he received numerous awards for his creative work in video and television including: Houston International Film Festival, Broadcast Designer’s Association, ACE and IFTA awards.

His work has been screened at various locations including: Leslie Lohman Gallery, National Museum of LGBT History, Simon Watson Gallery, Vancouver College, Hallwalls, Intermedia Arts Center, Matrix Gallery et al. His works are in the collections at The NY Public Library and the Everson Museum. He administered the Video Artist Grant Program at Synapse Video Center, Syracuse NY, serving ultimately as Director of the Center from 1978-81. At Synapse he also curated their video exhibitions and distribution programs. He served as a panelist at the National Endowment for the Arts, the WNET-TV Lab, the Broadcast Designer’s Association and the Ithaca Video Project. In 2015, he served as a pre-screening juror at Black Maria Film Festival. Henry has given lectures at the International Television Society, Video Free America, Greenwich High School, Boston Film and Video Foundation and the San Francisco Art Institute. He co-founded the New York State Media Alliance.

A consummate sound aficionado, he produced regular radio broadcasts for over a decade at WAER-FM and WONO-FM. Henry has worked in film since the 1950s and video since the 1970s. He received a BFA in Media Communications and an MFA in Synaesthetic Education at Syracuse University. He later received an MS in Information and Library Science at Pratt Institute. He is currently Chief Creative Officer at BXB LLC, Washington DC.

Margaret Parsons is curator of film and media programs at the National Gallery of Art in Washington DC. Besides an international film exhibition program, the Gallery maintains an archival collection of documentary media on the arts. Parsons has organized media events for other organizations including the Corcoran Gallery of Art, American University, the National Archives, and the Smithsonian Museum of American History. She has served as a trustee for film organizations ranging from the Robert Flaherty Film Seminar to CINE, and she has been on the editorial boards for The Moving Image and the Getty Trust’s experimental Art on Film in association with the Metropolitan Museum of Art. She has served as festival juror for numerous international film festivals including Washington, Nashville, Syracuse, Turin (Italy), and Tulcea (Romania).

Currently, Parsons is a member of the advisory board for the Washington DC Environmental Film Festival and curator for Glimmerglass Film Days, a festival she founded in central New York State. She has recently received awards for her work in film preservation from the governments of France, Georgia, and the Czech Republic, and in the U.S. has been the recipient of awards from the Black Maria, the Washington DC Independent Film Festival, and from Women in Film and Video. Her other interests include photography (35mm film and dark room), as well as naïve and outsider art which she collects. Her writing has been published in the journals Raw Vision, Folk Art, The Folk Art Messenger, New York Folklore, Curator, and The Moving Image.

Event Archive

View or download event materials: Poster | Press release

Presented By

  • Thomas A. Edison Media Arts Consortium
  • Program in Visual Arts

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