The Program in Theater welcomes back alum Sam Gravitte ’17 (Wicked on Broadway) alongside Resident Music Director and Composer Vince di Mura to teach a series of drop-in music theater workshops. Free & open to all Princeton students.
Discover careers that lie at the intersection of STEM and live entertainment! In this hands-on, drop-in class series, you'll learn from Princeton faculty and guest professionals working in careers that combine STEM and creativity. Cosponsored by LCA and Center on Science and Technology. Open to Princeton students; no registration required.
A conversation, in English, between French director Stéphane Braunschweig, Short-Term Fellow in the Humanities Council and Department of French and Italian and Florent Masse, director of L’Avant-Scène on the state of public theater (Théâtre Public) in France. Open to University community.
Join us for a lunch conversation between Shariffa Ali, lecturer in theater and curator/choreographer Jay Pather, Long-Term Fellow in the Humanities Council and the Lewis Center for the Arts, to welcome Pather to the LCA for the spring semester. Open to University community.
Lali and Beng are being held captive. No one knows where they have been taken or if they are alive. All they have is each other. No One is Forgotten: An Immersive Opera Drama is a work-in-progress that experiments with psycho-acoustic and immersive sound design, along with actors, opera singers, cello, and theatrical foley to create a sound world which places audiences within the confines of a journalist and aid worker held hostage. Co-composed by Paola Prestini and Sxip Shirey with a story and libretto adapted by Winter Miller, based on her play. Free tickets required.
Lali and Beng are being held captive. No one knows where they have been taken or if they are alive. All they have is each other. No One is Forgotten: An Immersive Opera Drama is a work-in-progress that experiments with psycho-acoustic and immersive sound design, along with actors, opera singers, cello, and theatrical foley to create a sound world which places audiences within the confines of a journalist and aid worker held hostage. Co-composed by Paola Prestini and Sxip Shirey with a story and libretto adapted by Winter Miller, based on her play. Free tickets required.
Following the work-in-progress presentation of No One is Forgotten, this public conversation with Eliza Griswold, Director of the Program in Journalism, and Professor of Creative Writing Aleksandar Hemon will interrogate the relationship between artists and journalists, how their word impacts or fortifies each other, and how both professions often live within one person. In collaboration with the Program in Journalism and generously supported by a Humanities Council Magic Grant for Innovation.
The Program in Theater welcomes back alum Sam Gravitte ’17 (Wicked on Broadway) alongside Resident Music Director and Composer Vince di Mura to teach a series of drop-in music theater workshops. Free & open to all Princeton students.
Discover careers that lie at the intersection of STEM and live entertainment! In this hands-on, drop-in class series, you'll learn from Princeton faculty and guest professionals working in careers that combine STEM and creativity. Cosponsored by LCA and Center on Science and Technology. Open to Princeton students; no registration required.
In this new play by physics major Matthew Cooperberg, Quinn Marion rebels against academia in their pursuit of proving quantum mechanics false. Grace Sy navigates a gender crisis to find themself with the help of old friends. Meanwhile, a mysterious figure called Kit encourages both of them to experiment in increasingly dangerous ways. As they seek certainty in the unknown, their lives and their experiments in quantum mechanics and gender exploration collide. Free tickets required.
In this new play by physics major Matthew Cooperberg, Quinn Marion rebels against academia in their pursuit of proving quantum mechanics false. Grace Sy navigates a gender crisis to find themself with the help of old friends. Meanwhile, a mysterious figure called Kit encourages both of them to experiment in increasingly dangerous ways. As they seek certainty in the unknown, their lives and their experiments in quantum mechanics and gender exploration collide. Free tickets required.
In this new play by physics major Matthew Cooperberg, Quinn Marion rebels against academia in their pursuit of proving quantum mechanics false. Grace Sy navigates a gender crisis to find themself with the help of old friends. Meanwhile, a mysterious figure called Kit encourages both of them to experiment in increasingly dangerous ways. As they seek certainty in the unknown, their lives and their experiments in quantum mechanics and gender exploration collide. Free tickets required.
This course provides ten hours of OSHA-authorized training (Occupational Safety and Health Administration) on critical workplace safety topics with a special emphasis on safe practices related to theatrical production and fabrication. The course teaches entry-level workers how to recognize and prevent common job-related hazards, inform them of their rights, and familiarize them with safety procedures, leading to a safer work environment. Free course held over sessions; registration required. Open to University community.
The Program in Theater welcomes back alum Sam Gravitte ’17 (Wicked on Broadway) alongside Resident Music Director and Composer Vince di Mura to teach a series of drop-in music theater workshops. Free & open to all Princeton students.
Manual for a Desperate Crossing is an epic migratory montage that follows a group of Cuban rafters, or “balseros,” fleeing to the United States in the mid-1990s. Cuban-American playwright María Irene Fornés crafts this one-act with her distinctively stylized prose, which draws from real-life testimonies of balseros, to create a vast landscape of overlapping fears and dreams. Directed by Didi Vekri '27; lighting design and dramaturgy by Elena Milliken '26. Free tickets required.
Join the Princeton Playhouse Ensembles for a concert featuring new music theater arrangements of songs from A Little Night Music, Godspell, Evening Primrose, Kimberly Akimbo, In the Heights, Maybe Happy Ending, Next to Normal, Rent, and Waitress alongside world premieres by student composers and arrangers. Also featuring guest tap dancer Michael J. Love. This is also the Ensemble's debut EP release event; CDs available to buy.
Manual for a Desperate Crossing is an epic migratory montage that follows a group of Cuban rafters, or “balseros,” fleeing to the United States in the mid-1990s. Cuban-American playwright María Irene Fornés crafts this one-act with her distinctively stylized prose, which draws from real-life testimonies of balseros, to create a vast landscape of overlapping fears and dreams. Directed by Didi Vekri '27; lighting design and dramaturgy by Elena Milliken '26. Free tickets required.
This course provides ten hours of OSHA-authorized training (Occupational Safety and Health Administration) on critical workplace safety topics with a special emphasis on safe practices related to theatrical production and fabrication. The course teaches entry-level workers how to recognize and prevent common job-related hazards, inform them of their rights, and familiarize them with safety procedures, leading to a safer work environment. Free course held over sessions; registration required. Open to University community.
The Program in Theater welcomes back alum Sam Gravitte ’17 (Wicked on Broadway) alongside Resident Music Director and Composer Vince di Mura to teach a series of drop-in music theater workshops. Free & open to all Princeton students.
Get a behind-the-scenes look at the future of environmental storytelling. Join Princeton’s High Meadows Environmental Institute (HMEI) and Lewis Center for the Arts (LCA) and the Civilians Theatre company for an evening featuring presentations by Next Forever playwrights Kate Douglas and Kate Tarker. Free & open to public; no registration needed.
Manual for a Desperate Crossing is an epic migratory montage that follows a group of Cuban rafters, or “balseros,” fleeing to the United States in the mid-1990s. Cuban-American playwright María Irene Fornés crafts this one-act with her distinctively stylized prose, which draws from real-life testimonies of balseros, to create a vast landscape of overlapping fears and dreams. Directed by Didi Vekri '27; lighting design and dramaturgy by Elena Milliken '26. Free tickets required.
In "Generation-less," conceived by Princeton senior Tiffany Rawlston, four characters of a wide range of ages randomly meet one day in a train station. They unexpectedly confront how their life experiences reflect the highs and lows of modern society and how their unique perspectives might intersect in more ways than initially assumed. Come see what a 50-year old might learn from a 20-year old (or vice versa) in the short span of a train delay. Free tickets required.
Manual for a Desperate Crossing is an epic migratory montage that follows a group of Cuban rafters, or “balseros,” fleeing to the United States in the mid-1990s. Cuban-American playwright María Irene Fornés crafts this one-act with her distinctively stylized prose, which draws from real-life testimonies of balseros, to create a vast landscape of overlapping fears and dreams. Directed by Didi Vekri '27; lighting design and dramaturgy by Elena Milliken '26. Free tickets required.
In "Generation-less," conceived by Princeton senior Tiffany Rawlston, four characters of a wide range of ages randomly meet one day in a train station. They unexpectedly confront how their life experiences reflect the highs and lows of modern society and how their unique perspectives might intersect in more ways than initially assumed. Come see what a 50-year old might learn from a 20-year old (or vice versa) in the short span of a train delay. Free tickets required.
Manual for a Desperate Crossing is an epic migratory montage that follows a group of Cuban rafters, or “balseros,” fleeing to the United States in the mid-1990s. Cuban-American playwright María Irene Fornés crafts this one-act with her distinctively stylized prose, which draws from real-life testimonies of balseros, to create a vast landscape of overlapping fears and dreams. Directed by Didi Vekri '27; lighting design and dramaturgy by Elena Milliken '26. Free tickets required.
