In our media-saturated world, it is impossible to escape that quintessential journalistic exercise — the interview. Intrusive and relaxed, combative and complacent, posthumous and imaginary, sententious and burlesque in turn, the interview is a game, a stage, a dance floor where two subjectivities meet. But, in the era of democratized chatter, the challenge is to keep the interview true.

L’Art du théâtre is Pascal Rambert's manifesto on what he considers the actor’s work to be — the 40-minute piece follows an actor as he explains his craft to his dog. In Le début de l'A., Rambert tells a story of the unique moment when feelings of love arise which we wish would never stop; when, at last, everything begins.

In By Heart, Tiago Rodrigues tells the story of his grandmother who, after becoming blind, asks her grandson to choose a book that she can learn by heart.

Summer 1975. A young man is hitchhiking toward Caen. The driver who stops has an unusual look: he is bald, with wire-rimmed glasses, a crew neck shirt, and unbounded curiosity about his young passenger. They trade numbers before parting ways. Three years later, a book of interviews is published, featuring our young hitchhiker, Thierry Voetzel, and famed philosopher Michel Foucault, who remains anonymous.