Events

In the exhibition Release the Shame, Visually Impaired artist/choreographer Christopher “Unpezverde” Núñez and Neurodivergent artist Branden Wallace explore the complex concept of “shame,” and how it converges with themes such as sexuality, fear, learning processes, immigration and productivity in the lives of people with disabilities. Núñez and Wallace excavate from personal memory how prejudice towards Disability has had a profound impact on their artistic practices and their own self-perception.

Photo Gallery

Conversation with the Artists: Sept. 6

To open the exhibition, a conversation between the artists, Christopher “Unpezverde” Núñez and collaborator Branden Wallace, facilitated by Jerron Herman, will take place on September 6 at 7 PM with a reception following.

Admission & Details

The exhibition opens at 7 PM on Sept. 6. From September 7-12, the CoLab is open daily 10 AM – 8 PM.

The exhibition, talk and reception are free and open to the public. No tickets or registration required.

Directions

Get directions to the CoLab, located on the Forum level of the Lewis Arts complex at 122 Alexander Street, Princeton.

Accessibility

symbol for wheelchair accessibilityaccess symbol for sign language interpretationaccess symbol for open captioning, two white O C lettersaccess symbol for braille, 2 lines of 3 white dotsaccessibility symbol for audio descriptionASL and open captions will be provided during the opening talk on September 6. Audio Description, Braille signage and tactile experience are embedded in the exhibition experience. Christopher Núñez will be on-site for guided tours, questions, support with the tactile experience, extended audio description, and to answer questions from visitors at the following times: Monday, September 9, from 1-4 PM and Wednesday, September 11 from 1-4 PM.

The CoLab is an accessible venue. Visit our Venues and Studios section for accessibility information about the arts complex. Guests in need of other access accommodations are asked to contact the Lewis Center at LewisCenter@princeton.edu at least one week prior to the event date.

About the Artists

Christopher Núñez

Christopher wears black clothes and silver jewelry and looks at the camera with a subtle smile. He holds a “Carraca” or Donkey Jawbone in his hands. Green trees and plants shine through the sunlight in the background.

Photo credit: Loghaven Artist Residency

Christopher “Unpezverde” Núñez is a Visually Impaired artist working in choreography, film, sound, installation and audio description. Núñez is a 2023 Mellon Foundation Grant Recipient, a 2022-24 Princeton University Arts Fellow, a 2022 Jerome Hill Fellow, a 2022 Dance/USA Fellow, and a 2018 Leslie-Lohman Museum of Art Fellow. His work been presented by Jacob’s Pillow, Abrons Arts Center, The Joyce Theater, Princeton University, The Brooklyn Museum — The Immigrant Artist Biennale, The Kitchen, Danspace Project, Movement Research at The Judson Church, The Leslie-Lohman Museum of Art, CUE Art Foundation, Performance Mix Festival, and Battery Dance Festival, among others. His work has been featured in The New York Times, Art In America, The Brooklyn Rail, The Dance Enthusiast, and The Archive: The Leslie-Lohman Museum bi-annual journal. He’s been an Artist In Residence at Loghaven Artist Residency, Brooklyn Academy of Music (BAM), The Kitchen, Danspace Project, Abrons Arts Center, Movement Research, and Center for Performance Research. In 2023, Núñez was selected by the magazine Art In America as one of 20 New Talent artists on a global scale. The same year, he was nominated for a “Bessie,” The New York Dance and Performance Awards, in the Best Performer category. As a performer, his most recent collaboration includes “Dressing Up for Civil Rights” by William Pope L, presented at MoMA, The Museum of Modern Art. In 2020, Núñez was invited by the New York City Mayor’s Office of Immigrant Affairs to share his story as disabled and formerly undocumented during Immigrant Heritage Week. He received his American Citizenship in 2023 but continues to be an advocate for the rights of undocumented disabled immigrants.

Branden Charles Wallace

Branden Wallace looks at the camera with a gentle smile. He has a prominent beard and wears a green tee with a leather backpack.

Photo courtesy of the artist

Branden Charles Wallace holds a B.F.A., M.F.A. and a B.S. in Biochemistry. Branden has utilized their neurodivergence disabilities as a guide to different perspectives. Their practice is creating congruous work from the discord and discomfort of new information; a haptic harmony of cognitive dissonance. Branden is the recipient of the Disability. Dance. Artistry. Dance and Social Justice Fellowship in 2020 and 2023. He curated the 2017 exhibition Expanding Vision at Leslie-Lohman Museum. As designer in residence for the disabled multidisciplinary project led by Christopher Núñez, Wallace has presented his design work at Danspace Project, The Kitchen, The LGTBQ+ Center, Jacob’s Pillow, Princeton University, and Abrons Arts Center, among others.

 

Jerron Herman

Black and White Photo of Jerron, a dark skinned black man with a beard and cropped blonde hair, crouching against a concrete wall with slight graffiti.

Photo courtesy Jerron Herman

Jerron Herman is a dancer and writer who is compelled to create images of freedom. His process is supported by personal histories and social legacies of disability aesthetics that undermine notions of production in favor of welcoming. The nuanced pieces Jerron exhibits contend with an early childhood desire to create many worlds in which others inhabit.

 

Presented By

  • Lewis Center for the Arts

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