This intensive workshop explores performance as a site for an evolving, transdisciplinarity that is in mindful relationship with artistic movements, cultural continua, contemporary resonances, and individual agency. Rather than fetishize the urgent development of a legible, "authentic", or (impossibly) unique artistic identity, we will instead strive toward a practice of radical honesty, fluid curiosity, fierce courage, intentional consumption, and rigorous reflection. To that end, students will regularly create, perform, and document original solo & group work that syncretizes multiple disciplines.
Music Courses
Music
In this course, students will develop and implement a personal philosophy of music ensemble direction. Students will connect practice-based learning with broader theories of art-making, exploring questions about why, how, and with whom people make music. For those who dream of directing a vocal group, conducting an orchestra, music directing a musical, or even inventing a new ensemble, this process-driven course will create an environment for experimentation, risk-taking, and musical and personal growth. A background playing an instrument, singing, conducting, or composing music is required.
MUS 415 explores the design and creation of audio-based artmaking practices. Classes will combine hands-on practical learning with creative presentations from faculty, students, and guest artists. Projects include designing synthesizers, microphones, speakers, pickups, analog effects, and self-led designs. Using the resources of StudioLab, we will develop skills in electronics, physical computing, and the use of tools such as laser cutters, 3D printers, breadboards, and soldering. Additional topics will be led by student interest and expertise. This class will be valuable for any students who use sound in their research or artistic practice.