Creative Writing Courses

Creative Writing

Literary Translation

CWR 205 / TRA 204 · Fall 2018

C01 - Paul Muldoon · Tuesdays, 1:30-4:20 pm

Instructors: Paul Muldoon

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works.

Graphic Design: Typography

VIS 215 / CWR 215 · Fall 2018

U01 - Francesca Grassi · Mondays, 1:30 - 4:20 pm and 7:30 - 9:40 pm

Instructors: Francesca Grassi

This studio course introduces students to graphic design with a particular emphasis on typography. Students learn typographic history through lectures that highlight major shifts in print technologies and through their engagement in studio design projects.

Advanced Poetry

CWR 301 · Fall 2018

Multiple sections offered

Instructors: Michael Dickman · Susan Wheeler

Advanced practice in the original composition of poetry for discussion in regularly scheduled workshop meetings.

Advanced Fiction

CWR 303 · Fall 2018

Multiple sections offered

Instructors: A.M. Homes · Yiyun Li

Advanced practice in the original composition of fiction for discussion in regularly scheduled workshop meetings.

Advanced Literary Translation

CWR 305 / TRA 305 / COM 355 · Fall 2018

C01 - Paul Muldoon · Tuesdays, 1:30 - 4:20 pm

Instructors: Paul Muldoon

Practice in the translation of literary works from another language into English supplemented by the reading and analysis of standard works.

Advanced Screenwriting: Writing for Television

CWR 405 / VIS 405 · Fall 2018

C01 - Susanna Styron · Tuesdays, 1:30 - 4:20 p.m.

Instructors: Susanna Styron

Students in this advanced screenwriting course will work both independently and in small groups to learn how to develop, pitch, outline, and draft an original television show.

Introduction to Screenwriting: Adaptation

CWR 448 / VIS 448 · Fall 2018

C01 - Christina Lazaridi · Thursdays, 1:30 - 3:50 pm

Instructors: Christina Lazaridi

This course will introduce students to screenwriting adaptation techniques, focusing primarily on the challenges of adapting “true stories” pulled from various non-fiction sources.